Underrated Horror Movies Streaming on Netflix. With Halloween approaching and video stores more or less a thing of the past, we now must look to the internet for our quick fixes of the spooky stuff. When planning your Halloween party, all you need do is head to Netflix and put a few classic horror films in your queue. But… if you’re looking for something on the unconventional side, something the kids in the neighborhood wouldn’t watch otherwise, try one of these misfits on for size. They approach horror differently and they haven’t been ruined by years of viewings in this most scary time of season. Here are 1. 5 Underrated Horror Movies Streaming On Netflix.

All Cheerleaders Die (2. After venturing into the heart of darkness with his unsparing 2. The Woman, cult filmmaker Lucky Mc. Kee went much lighter for his follow- up, a pop- goth valentine to be played loud. Man Of The House Movie Watch Online. Witchcraft and a bus accident turn four cheerleaders into zombies who suddenly have a whole new set of problems beyond the ordinary challenges of getting through a day of high school. Derided for its flippant tone and featherweight plot (which were sort of the point), All Cheerleaders Die is a fitting heir to the likes of Jawbreaker and Scream in its combination of valley girl sarcasm and black comic violence. And yet, despite its manic energy and disinterest in firm plotting, it actually builds to a surprisingly moving climax.

For teens in need of a new movie crush, I could think of worse candidates. House of the Devil (2. A small handful of cinephiles recognize House of the Devil for what it is – the defining statement on nostalgia as a cinematic device and the most terrifying little movie in recent memory. Ti West rather adroitly uses the audience’s understanding of ’8. He uses the time period as an intrinsic part of the narrative to make everything scarier. Not that he needed much help. There is almost certainly nothing more entertainingly terrifying made in the first decade of the twentieth century.

A hard- up college student (Jocelin Donahue, speaking of underrated) agrees to a last minute baby- sitting job for a supremely weird couple at their isolated Connecticut mansion. Is the encroaching creepiness in her head, or is something sinister going on? Find out for yourself, if you dare. Sorority Row (2. 00. It’s rare that a remake can justify itself through the right kind of excesses. Sorority Row is as trashy as a film can be while remaining on the right side of tasteless fun.

Five girls stand helplessly by as their sorority sister commits murder when a prank gets out of hand. A few months later, someone comes after them one at a time. So many school- set horror films aim for lived- in crassness, but Sorority Row is the real deal. It holds its pretty young criminals in a kind of respectful contempt. If they weren’t such relentlessly awful people, they also wouldn’t be so fascinating.

The camera loves them and needs them to stay as unhinged and amoral as possible in order to keep the audience on the hook. A sleazy good time for the discerning connoisseur. The Relic (1. 99. A film of old- fashioned craft about a monster made with state of the art technology (at least for the late ’9.

The Relic is itself… kind of a relic. Before CGI took over as the dominant mode of monster- making, Stan Winston and his effects team were the band to beat. They made some of the most memorable demons, dragons and devils of the ’8.

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The Relic was one of his last great showcases and director Peter Hyams filmed his creation to get the most out of Winston’s superb work. When a shape- shifting beast stows away on a freighter and takes up residence beneath Chicago’s natural history museum, it’s up to a plucky biologist (Penelope Ann Miller) and a superstitious detective (Tom Sizemore) to stop it. The creature is one of the last great tactile monsters and unlike, say, the anaconda in Anaconda, the filmmaking lives up to it. Hyams relies on shadows, assured performances and production design to help sell the reality of his monster before we start catching glimpses of it. It could have been made in the 1. And yet when the creature starts its rampage, there is a different kind of timelessness to this movie.

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The thrill of being afraid of an unspeakable monster never gets old. Twixt (2. 01. 1)Francis Ford Coppola, the filmmaker behind The Godfather trilogy and Apocalypse Now, threw audiences one hell of a curve ball this last decade. After cranking out one high- profile drama after another, he took a decade- long vacation before releasing three strange little personal movies. First was the meta- physical noir Youth Without Youth, then the tender and sweltering artist’s statement Tetro, and finally the self- aware horror comedy Twixt.

Not every one of Coppola’s little experiments work equally well, but there is a lot to love about this oddball ghost story (filmed, as it were, on Coppola’s own estate). Val Kilmer plays an author stopping on a book tour in a little town that doesn’t know how to keep secrets.

Soon he’s helping sheriff Bruce Dern solve a decades old murder case. With an assist from Edgar Allen Poe (for real, He’s played by Ben Chaplin) he uncovers a most flamboyant murder and lays some ghosts to rest. Coppola indulges every whim, ladles in various details from his own life and produces one engagingly bonkers film. Not to be missed. The Woman in Black 2: Angel of Death (2. The sequel to Hammer Films triumphant return to its gothic roots didn’t enjoy much critical or box office success. But The Woman In Black 2: The Angel of Death has one thing on The Woman in Black: it’s a better movie.

No, it’s not as scary, and no it doesn’t have adorable Daniel Radcliffe, but it feels like it was written more carefully and directed with an eye towards lasting as a drama, rather than as a jolt machine. Like the lovely The Awakening (also streaming on Netflix), it’s a ghost story about the grieving conscience of a nation. Phoebe Fox and Jeremy Irvine are tasked with protecting a gaggle of orphaned children during the blitz and make the mistake of bringing them to the astoundingly haunted Eel Marsh House. Ghoulishness ensues, but the filmmakers never lose track of the most important thing: the lives of these characters.

A film of deep melancholy, The Woman in Black 2 is much better than you’ve heard. Da Sweet Blood of Jesus (2. Spike Lee’s polarizing remake of the hugely important independent film Ganja and Hess has a few defenders, but mostly it made a lot of people shake their heads in bafflement. Dr. Hess Green (Stephen Tyrone Williams) goes to his colleague (Elvis Nolasco) Lafayette Hightower’s house for dinner.

A strange visit from Hightower in the middle of the night quickly becomes a confrontation that leaves host dead and guest infected with a vampiric disease. Green decides after a little soul- searching, to just enjoy himself. Watch Rob The Mob Online Metacritic on this page. This becomes easier when Hightower’s beautiful wife Ganja shows up and joins him in sin. Lee produces a nakedly experimental fugue that celebrates black skin, excessive appetites and style. Wolf Creek 2 (2. 01. Released to near- universal distaste, Greg Mc.

Lean’s sequel to his stunning debut is not an easy thing to categorize. Sure it’s a gory horror piece… but the tone isn’t quite right. At times it feels clinically distanced from its horrific content, getting a gentle laugh from its taboo smashing. Other times it’s a pastiche western, with men on horses framed against lovely sunlit vistas. And sometimes it gives into muscular little action scenes.

In short, the time Mc. Lean spent away from directing clearly put a lot of ideas in his head that he didn’t get to bring to a full boil, so he dabbled in many genres when he finally got back behind the camera. Many people found this a can- miss proposition, but Wolf Creek 2 is a giddily violent cartoon that puts a lot of Australian film tropes in a blender and hits the “pulse” button. The Ward (2. 01. 0)John Carpenter has been treated shamefully by the same audience that canonized him.