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The Hits, The Flops & The Year In Box Office. Watch Glory Online Facebook. If it’s not obvious by now, the film industry and particularly the box office, is starting to mirror the North American economy: All aspects of its middle class are shrinking into non- existence.

This goes for both the type of films being made — mid- sized- budget films which have diminished since 2. North America alone by year’s end. That’s up 5. 9% from 2. Star Wars: The Force Awakens” continues to outperform all expectations. But again, the distribution of wealth and budgets are slanted to the 1% of big blockbusters and it was either feast or famine for most films with little middle. Watch Claustrophobia Online Claustrophobia Full Movie Online more.

With the rise of “peak TV” — an estimated over- 4. TV shows not including reality TV, news or sports are available to choose from these days — and myriad streaming outlets, the modern consumer has become ultra- savvy and inundated with choices. So when the audience does come out to the movies, they come out in full force: See “Jurassic World,” “Furious 7” and “Star Wars: The Force Awakens.” But when audiences feel indifferent to a movie, it can be a massive flop. Thus, the binary nature of the economy is reflected in our cinema, and the hit- or- miss North American box office is dwindling, which creates an over- reliance on the international one. Movies are making massive amounts of money — four movies from 2. Minions,” also from 2.

And take out the five- billion- dollar- grossing films of 2. North American box- office (and 1. Click here for our complete coverage of the Best of 2. The Box- Office Slow Burn Is Evaporating. The slow burn is dying too. In December 2. 00.

Avatar” opened to $7. December release ever. But its hold was amazing and like a juggernaut, it slowly tallied up a massive $2. Just six years later, films like “Jurassic World” and “Furious 7” are burning through 6. Jurassic World” made a whopping 6. Furious 7” did 7. In its fifth week of release, “Avatar” had earned $4.

In 2. 01. 5, “Jurassic World” cracked $5. The difference? The “Avatar” slow- burn meant the film played for 3. Jurassic World” bowed out after 2. Granted, 2. 3 weeks is a terrific number, but it speaks to the fact that films just can’t stick around in theaters for as long as they used to just a few years ago perhaps because our binge- consumption culture has accelerated so quickly towards the shiny and new. As you’ll see below, there’s always an exception to every rule with the fickle box office. And as we dive more deeply into breaking down how the studios did, we do so bearing in mind that as “Star Wars: The Force Awakens” continues to grow at the box office, it will probably get close to or surpass the #1 grossing film of all time, and that will tilt overall 2. Disney’s overall year.

The Hits, Triumphs & Successes. Despite being the only studio without a major superhero franchise, Universalhad a tremendous year a the box- office in 2. And the current top two worldwide grossing films of the year — “Jurassic World” and “Furious 7” are theirs (yes, ‘Force Awakens’ will have something to say about this soon). Watch Coney Island Online Free HD. In fact, three of the five highest grossing films of the year are Universal movies, including “Minions,” so that means three movies alone that accounted for $4. Uni also had a huge surprise hit in “Straight Outta Compton” which made $2. Pitch Perfect 2” came close to $3.

Fifty Shades of Grey” somehow made an astounding $5. Domestically, the studio had the highest domestic market share of any competitor with 2.

Not far behind however was the corporate hegemony of Disney, with a 1. Their Marvel wing helped bring in nearly $2 billion dollars with just two films — $1. Avengers: Age Of Ultron” and “Ant- Man” — and Pixar gave Disney an additional $8.

Inside Out” and “The Good Dinosaur”). Disney films accounted for about $5. And yes, if ‘Force Awakens’ hits $2 billion, Disney’s going to top all studios. Century Fox had a pretty good year thanks to “The Martian” ($5. Kingsman: The Secret Service” ($4. Sony trailed Fox with a $2,0.

Spectre” ($8. 50. Hotel Transylvania 2” ($4.

And bringing up the main studio rear was Warner Bros. Paramount ($1. 5 billion) and Lionsgate ($9. Welcome to the Flophouse: All The Bombs And Films That No One Actually Wanted To See. Pretty much every studio had at least one major kick to the teeth, but we’d be remiss if we didn’t mention Warner Bros. Usually one of the top three major studios, WB’s 2.

There was the expensive “Jupiter Ascending” by the Wachowskis that failed to gross even $5. The irony is that “Jupiter Ascending” is the third- highest- grossing WB film worldwide this year, but at a reported cost of $1. Another risky, even worse debacle was WB’s “Pan.” Originally set for summer 2. October only a few weeks before its release.

Grossing a mediocre $1. Pan” would only debut at #3 and it dropped a massive - 6. At a cost of $1. 50 million (not counting P& A), “Pan” was a tremendous loser and write- down for WB — the film couldn’t even surpass $3.

U. S. So much for an origin prequel that was to lay the foundation for a new trilogy. And the flops kept coming. The Man from U. N.

C. L. E.” was meant to launch a new series and it certainly underperformed — just $4. And this past December had WB bombs, too: “Point Break” tanked at the box- office last weekend (it too was supposed to lead a new franchise) and the expensive Ron Howard sea spectacle “In the Heart of the Sea” was pretty much dead on arrival. And even some of their smaller pictures were major losers: The DJ drama “We Are Your Friends” and the Sandra Bullock vehicle “Our Brand Is Crisis” opened to phenomenally low numbers despite being on more than 3,0. Crisis’ ended up being the worst opening of Bullock’s career and the would- be Oscar contender couldn’t gross more than $7 million at home (against a $2. The Zac Efron- starring ‘Friends’ was met with massive indifference; the movie had the fifth- worst per- screen average of 2. The studio’s biggest hit was “San Andreas” ($4. New Line wing. 2.

WB, and there’s already trouble on the horizon. Another would- be summer franchise, Guy Ritchie’s “Knights Of The Roundtable: King Arthur,” has been pushed to that “Jupiter Ascending” February slot in 2. And “Tarzan” is already in trouble from a marketing and press standpoint and that’s likely not going to change. WB’s 2. 01. 6 rests on the doubling down it’s made on its super- hero slate: “Batman V.

Superman: Dawn of Justice” and “Suicide Squad.” The former likely needs to make $1 billion to be considered a success — its cost is rumored to be astronomical, plus the expectations alone demand a huge figure — but if critics tear it apart, it could easily fall short à la what happened with “Spectre” (about $1. Now Universal had a banner year, but without their three big hits, it could have been a very different story. Michael Mann’s costly “Blackhat” was an absolute nose- diver grossing all of $1. Jem and the Holograms” also took it on the chin in August with the worst per- screen average of any wide- release studio film this year.

The film grossed just $2. To add insult to injury, after that horrible week two, Universal decided to pull the movie from theaters after just 1. Delayed three times, “Seventh Son” was also a huge Uni disaster, at least at home. Made for $9. 5 million — though reshoots, delays and retooling probably make that a conservative estimate — “Seventh Son” grossed a wretched $1. Mind you, it did $9. Hollywood’s over- reliance and dependence abroad.“Crimson Peak” was yet another costly dud for the studio.

Made for $5. 5 million (though reportedly much higher), audiences didn’t take to Guillermo Del Toro’s lavish Gothic horror romance picture and the movie burned out domestically after only six weeks in theaters with $3. The movie inched its way to nearly $7. Producers Legendary Pictures apparently already have a fractious relationship with Universal and in signs of trouble have taken their “King Kong” movie back to their old home at Warner Bros.